Ang Pagdadalaga ni Maximo Oliveros (2005)
Ang Pagdadalaga Ni Maximo Oliveros: Growing up gay, grim and determined
By Lito B. Zulueta
“Pagdadalaga ni Maximo Oliveros” has a deceptive charm that seems not to have faded since it became the crowd-pleaser and the Special Jury Prize winner in the first Cinemalaya independent film festival in 2005. A character study on the titillating subject of a poor homosexual kid’s coming of age, it easily shows the seemingly limitless capacity of digital cinema to provide new spins to tired narratives and concerns, endowing them with freshness, venturing new discoveries, and creating new worlds.
But looking back now, however, the achievement of Maximo Oliveros is even more astounding. Here’s an utterly small film about an utterly self-effacing character, a slum kid growing up gay and carefree, suddenly smitten by puppy love, but suddenly subjected to the ruthless social realities of the adult world, is forced to grow up and emerge not exactly unscathed but definitely unbowed.Read complete review